Do you agree with the Twihards that New Moon is the film of the year? Or is this supernatural romance strangely bloodless?

Poor old Chris Weitz. Once considered a promising film-maker, round about the time he successfully transformed Nick Hornby’s pleasant and enjoyable novel About a Boy into an equally pleasant and enjoyable movie starring Hugh Grant and that kid from Skins, he now finds himself working as a hired hand on film number two of the Twilight saga, the hugely popular but strangely bloodless series based on Stephenie Meyer’s romantic books about a schoolgirl who falls in love with a vampire. The critics are predictably nonplussed by a movie that stretches to more than two hours, at least half of which is the celluloid equivalent of hanging out with a female Kevin the Teenager.

“Constrained by the plot of the novel, the film keeps the two lovers apart for quite a spell, robbing the project of the crazy-in-love energy that made Twilight, the first entry in the series, such a guilty pleasure,” writes the LA Times’s Kenneth Turan. “Weitz makes the vampire trains of Melissa Rosenberg’s capable script run on time, but he almost seems too rational a director for this kind of project. This lack of animating madness combined with the novel’s demands give much of New Moon a marking time quality.”

“There are some entertaining things about New Moon: Stewart is developing as an actor in a way Pattinson isn’t, and there are droll scenes in which some characters go and see films,” writes our own Peter Bradshaw. “But the franchise is looking a little anaemic.”

“Under Weitz’s direction, the actors have gained some confidence, and this chaste love triangle among creatures of the night has all the requisite looks of tortured longing,” writes The Telegraph’s Tim Robey. “What it misses is any animating pulse: we just wait and wait for the bleeding obvious.”

Of course, none of the above is really catering for New Moon’s target audience, so perhaps a fairer representation would be the reaction from fans who attended the film’s first public screening in London’s Leicester Square last week. Skip forward to around the 40-second mark in the video below for a battering of youthful enthusiasm.

New Moon, for me, is a marginal improvement on its predecessor, if only because Pattinson, an actor whose technique consists entirely of a sort of fixed, narcissistic pout and sullen-toned delivery, is absent for much of the movie. Stewart, in the pivotal role of Bella, actually does pretty well with very little material to work with. It’s been clear since her beautifully understated turn in Greg Mottola’s excellent Adventureland that she has the ability to play these type of damaged but enigmatic characters without resorting to histrionics.

Ultimately, however, New Moon is just way too long, and despite the odd visual flourish from Weitz – a shot in which a painting of some vampires comes alive is a nice touch – this is basically Dawson’s Creek with more blood and teeth: enjoyably vapid entertainment for a hungover Sunday afternoon on the sofa, perhaps, but hardly worthy of a big screen outing.

I also have a major problem with what seems to me to be Meyer’s ruthless exploitation of foetal teenage emotions. The story seems to encourage young people to hold on tight to their first love, no matter how much of the rest of their life is left in ruins. By the end of New Moon, as an intelligent 18-year-old, Bella surely ought to be girding her loins for some form of higher education and a whole new world of adventures. Instead she is angling to be turned into a vampire herself so that she may spend eternity with her undead lover. The film’s objectionable suggestion is that it is acceptable to make major life decisions when one is barely out of one’s teens.

What did you think of New Moon, if you caught it over the weekend? Are the critics right to dismiss it? Or are you siding with the legions of teenage fans for whom R-Patz and K-Stew can do no wrong?

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With more of the passion, action and suspense that made TWILIGHT a international phenomenon, watch new moon online is a fascinating follow-up to the box office smash.
On Isabella “Bella” Swan’s 18th birthday, Edward Cullen, the vampire she beloveds, and his family throw her a birthday party. When opening a present, she acquires a paper cut, which makes Edward’s adopted brother, Jasper, to be flooded by her blood’s aroma and try to kill Bella. To protect her, Edward decides to end their family relationship, and the Cullens move aside from Forks. This gives Bella sorrowful and downhearted.

In the calendar month that follow, Bella discovers that thrill-seeking actions, such as bike riding, permit her to “discover” Edward’s voice in her head. She also looks for comfortableness in her intensifying friendly relationship with Jacob Black, a cheerful associate who remedies her painfulness over missing Edward. Bella afterward finds that Jacob is a werewolf. He and his fellow werewolves protect Bella from the vampires Laurent and Victoria, the last mentioned of whom looks for retaliation for her dead mate, James, whom the Cullens defeated in Twilight.

Meantime, a serial of miscommunications heads Edward to believe that Bella has defeated herself. Overwrought over her suppositional suicide, Edward takes flight to Italy to awake the Volturi, vampire royalty who are able of defeating him. Alice and Bella hurry to Italy to keep Edward, coming just in time to barricade him. Before departing Italy, the Volturi say Edward that Bella, a human being who realises that vampires exist, must either be wiped out or changed into a vampire. While they come back to Forks, Edward states Bella that he’s all the time loved her and simply left alone Forks to protect her. She forgives him, and the Cullens vote in favor of Bella being shifted into a vampire, to Edward’s horrify. Nevertheless, Edward dedicates Bella an option: either she allows Carlisle switch her after her commencement, or, if Bella agrees to marry him, he will altered her himself.

The story feebly tries to resolve visible questions like how come Bella flies to Italy to block Edward rather than barely sending the super-speedy Alice (he won’t believe her!), why Edward does not affirm Bella’s death (it’s all a misinterpretation!), or how a room fully of the most baneful vampires is better than a town with just one and only vengeful bloodsucker.

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